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September 2009

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News Review

  • 'Authors’ advances are being cut radically as a result of the recession. Together with the cancelling of contracts because a delivered manuscript is ‘not good enough’ or is late, this is all part of publishers’ attempts to cut their costs..  New authors are experiencing greater difficulty than ever before in getting their books taken on by a publisher. Now evidence is emerging that even big authors are having their advances cut. News Review investigates.

  • News Review reports that Dan Brown's The Lost Symbol is a huge bestseller but, as agent Jonny Geller commented: ‘If the most popular book on earth is a fiver, what does it tell the punter? Books are worthless. Retailers are just throwing away their industry.’ Amazon has also announced that the Kindle e-book version has been outselling the hardback edition in the US. So, it this Malcolm Gladwell’s ‘tipping-point’? Well, it just might be.

  • 'So why is it that the Man Booker Prize manages to generate so much interest across the world? Entries are limited to novels written in English and American writers’ work is excluded, but in spite of all this the Prize seems to generate considerable interest year after year.' News Review reports on an extraordinary success.

  • 'Was it ever reasonable to think that such a revolutionary, unprecedented pact, negotiated in secret over three years by people with loose claims of representation, concerning a wide range of stakeholders, both foreign and domestic, involving murky issues of copyright and the rapidly unfolding digital future, could be pushed through as a class action settlement within a period of months, in the teeth of a historic media industry transition?’ News Review quotes Publishers' Weekly in the investigation of the Google Book Settlement.

  • 'You can’t have missed the news that Dan Brown’s latest thriller, The Lost Symbol, will be released worldwide on 15 September. As readers queue up to place advance orders for one of the most eagerly anticipated books in history, there are also anxieties about how this one book will distort the performance of the book trade. News Review investigates the biggest book of the year.

Comment

  • ‘Publishing is often an extremely negative culture… The sheer book-length nature of books combined with the seemingly inexorable reductions in editorial staffs and the number of submissions most editors receive, to say nothing of the welter of non-editorial tasks that most editors have to perform...' Daniel Menaker, former Random House US executive editor-in-chief, in the Barnes & Noble Review

  • ‘I was already writing The Lost Symbol when I started to realize The Da Vinci Code would be big...  I temporarily became very self-aware... Then the furore died down, and I realized that none of it had any relevance to what I was doing. I'm just a guy who tells a story.’

  • ‘I find it bewildering how often people are rude about commercial fiction and how many really mediocre pretentious literary books are published every year. A lot of attention is paid to books that I quite often think are really shoddy.' Harriet Evans, editor turned author of I Remember You in the Bookseller.

  • 'Although I don’t wish to be a harbinger of doom, I don’t think it’s unrealistic to predict that that the global book market will reduce by 30% to 50% in the next 10 years...  It is perhaps worth thinking of alternative ways that publishers, authors and booksellers can survive.' Andrew Crawford of The Book Depository, in the Bookseller

  • 'Some chapters on a hard drive in a spare room, increasing by 500-word increments every day, will change the publishing landscape from 2012 and beyond. That is a certainty. And that’s what makes the business of books so thrilling.' Julia Churchill, UK children’s agent at The Greenhouse, in Writers’ Forum

Writers' Quote

'It is splendid to be a great writer, to put men into the frying pan of your words and make them pop like chestnuts.'
Gustave Flaubert

 

Edinburgh Fringe comedy - no laughing matter?

Chas Jones' fourth report from Edinburgh:

'Beyond the named performers who dominate the large venues such as the Pleasance, its formulaic nature has rather degraded the genre of fringe comedy. Much of the club comedy has degenerated into little more than crowd manipulation with the compere, bursting with enthusiasm, telling them just how brilliant the next person is going to be...'

The Edinburgh Fringe

At the Edinburgh Book Festival

Edinburgh snippets

John Jenkins

Our first column from the former editor of Writers' Forum is entitled 'Move over Harry Potter' and  is about Joe Delaney, who followed his agent's advice to switch to writing for children - and is having a remarkable success.

Latest changes in the book trade: publishing

In the second part of this series, Chris Holifield gives an update on recent changes in the publishing world, including conglomeratisation, the effects of recession and an even greater focus on bestsellers.

First article: Bookselling

My Say by Jae Watson

'Before publication I wondered what the key was, the magic formula. I attended conferences and literary festivals, nurturing a fading hope of finding the answer. Here are the things I gleaned, helping me cross that fine, elusive line dividing unpublished and published writers...'

Self-publish your way through the recession

First published in the spring issue of The Self-Publishing Magazine, this article by Chris Holifield looks at what's going on in the publishing world and why it might make sense to consider self-publishing.

Review of The Weekend Novelist Redrafts the Novel

by Robert J Ray

Maureen Kincaid Speller reviews this new book from the author of The Weekend Novelist, concluding that:

'For the first-time redrafter, Ray’s methods provide a good foundation, and most importantly, they use a clear timetable. Over eighteen weekends (that is, four and a half months), a writer can carry out the work necessary for an effective rewrite of a novel, and have the manuscript ready to go.'

Choosing a Service

Are you having difficulty deciding which service might be right for you?  This useful new article by Chris Holifield offers advice on what to go for, depending on what stage you are at with your writing.

We Watch the web for writers

Our huge section on technology and the web, and how writers can make use of them, takes you from beginner-level articles to advanced technology.

Tips for Writers Our new series for writers:

Improving your writing, Learning on the job, New technology and the Internet, Self-publishing - is it for you?,  Promoting your writing (and yourself), Other kinds of writing, Keep up to date and Submission to publishers and agents

Help for Writers

Check out this page to find links to the huge number of useful articles on this site, including Finding an Agent and Making Submissions.

Our Editorial Services for writers

Check out the 17 different editorial services we offer, from Reports to Copy editing, Typing to Rewriting.

The Ins and Outs of Indexing

'Very few works of non-fiction can do without an index of some description... If the reader is lucky, the index will allow them to find the term they seek and take them immediately to a relevant and useful mention of that term or concept... So why can’t a computer programme achieve this?

Joanne Phillips' article on Indexing looks at why non-fiction books need them, why it's a specialist job and why computers can't achieve the same result as a skilled indexer.

Our new Indexing service

A professional index is essential for any work of non-fiction. Readers expect to find a useful, well-presented index at the back of a book, and can get very frustrated if the index doesn’t quickly lead them to the information they seek.
 

  • Are you an author planning to compile your own index?
  • Have you been asked by your publisher to provide an index for your book?
  • Are you self-publishing your work? If so, don’t let your readers down by offering them a sub-standard index.

 A professional index will set your work apart from other self-published books. Indexing need not be expensive – and an effective index is the key to a good non-fiction book.

Don't give up the day job

It’s a common enough fantasy for writers: maybe now I can leave that dreary job and devote myself whole-heartedly to writing... Perhaps you’ve even been indulging in it as you lay on the beach this summer, or more likely spent your precious holiday working on your latest novel.

Morpurgo on writing for children

A report from the Winchester Writers' Conference

'The road which led to Michael Morpurgo’s appointment as Children’s Laureate did not get off to a good start. His primary schools in the 60s taught him to fear words. But then, like many boys of that time, he discovered that there were comic books that told all the classic stories with skilful imagery and a minimal use of words which might be challenging to their young readers.'

The business of writing

by Joanne Phillips

'Writing is undoubtedly a creative art...  But writing is also a business, with invoices to raise, accounts to be submitted and records to be kept. Writers, like artists, can find themselves floundering when it comes to the ‘business end’ of the job. Read on for our easy-to-follow guide to the business of writing...'

Review of Writers’ Market UK and Ireland 2010

Our reviewer's view was that: 'This packs a lot of information into its 976 pages and is very good value for money at £12.99... The result is a useful handbook for any writer, which delivers a great deal of useful information in an easily accessible form.'

Our book review section

New Categories series

Writing Romance

This is the third article in a new series by Chris Holifield which will cover the major writing genres. It looks at romance, which is dominated in the UK and the US by Mills and Boon Harlequin, which brings out 120 books a month.  Study their guidelines before you get started or at least before you submit to them.

Writing Science Fiction and Fantasy  

Writing Crime Fiction

Agents' Listings

The agents' listings from the 2009 Writers' and Artists' Yearbook can be searched:

UK agents

US agents

Agents from the rest of the world

Children's specialist agents

WritersPrintShop

If you're thinking about self-publishing, this is the place to find out what's involved. If you're ready to go ahead, our high quality service is second to none and there's an economy version for those who want to tackle some of the work themselves. You can estimate the cost for yourself.

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WritersServices.com Magazine September 2009

 

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